I am the man who can.
Wonder Woman (2017) dir. Patty Jenkins
mainly:
+marvel
+tv shows
+musicals
things i've made
my face
previously:
babyliamdunbar
lvdiastilcs
elizaschulers
my follow forever
my icons
I am the man who can.
Wonder Woman (2017) dir. Patty Jenkins
Oh, I don’t think you’ve ever known a woman like me.
“My favorite scene, it turned out really great in the cut, and it was a beautiful, magical couple of nights when we shot it, was the dance sequence with Diana and Steve in Veld with the snow falling. They were so great when they were shooting together on set, we had music on set and it was a beautiful night, even though it was really cold. There was a romance in the air when we were shooting it, and I think that carried across in the movie.” - Wonder Woman cinematographer about his favorite scene to shoot
It’s… it’s not about deserve. Maybe, maybe we don’t. But it’s not about that, it’s about what you believe. You don’t think I get it, after what I’ve seen out there? You don’t think I wish I could tell you that it was one bad guy to blame? It’s not! We’re all to blame!
It’s not about deserve, it’s about what you believe. And I believe in love.
Wonder Woman (2017), dir. Patty Jenkins
Only a GOD
can kill another God
You will train her harder than any Amazon before her. Five times harder, 10 times harder — until she is better than even you .
Prominent Bisexual Characters in MCU and DCEU in 2017.
(hopefully to be canonically seen as such on screen asap)
Variety’s Top 10 Shots of 2017 — #1: “WONDER WOMAN”
“This was one of the first sequences I jumped into on prep, and this was always one of the key images. It’s representative of Wonder Woman’s power and influence. She’s able, with her strength and determination, to reach the Germans at a stalemate when they’re trying to overwhelm her. I don’t think any of us anticipated the emotional reaction the movie would set in motion. We wanted to talk about heroism and choosing love and a belief in humanity as a new stance for a superhero. The subtext is because it hit the world at the right time.” — Director of Photography Matthew Jensen